Fulbright Forum

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Fulbright Forum - April 25, 2014 - Dorry Guerra

“Blood,” Looks, Language: The Moderating Effects of Race and Ethnicity on Identity Abstract: Through a series of social psychology experiments, this project attempts to ascertain the ways in which “native” Koreans (those who are both racially and ethnically Korean) perceive the identity of multiracial and multicultural Koreans. Under the umbrella of “identity,” “race” and “ethnicity” are the variables studied; more specifically, the interaction between “blood” (one’s heritage or ancestry), phenotype (how one looks)—considered in this context as “racial” features—and language— considered in this context as an “ethic” feature—is examined. The purpose of the studies is to understand which of these three variables is privileged when determining the identity of “ambiguous” others, and to understand which “others” are considered most “Korean.” This project has a cross-cultural component in that a parallel study is to be run in the United States, in order to understand notions of “American-ness” as compared to those of “Korean-ness.” Following previous work (Steffans & Mummendey, 2010) that shows that Europeans rely more on accent information (than on appearance information) when determining what country a person is from, the hypothesis is that American participants will similarly rely more on “language” information (than on “looks” or “blood” information) when determining who is most “American.” On the other hand, the prediction is that Korean participants will rely more on “blood” information (than on “looks” or “language” information) when determining who is most “Korean.” This research has implications for the psychological and social well-being and acceptance of not only those who are traditionally considered “other” in Korea, but of all Koreans.

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Fulbright Forum - April 10, 2014 - Lauren Glover

All that Glitters is Not Gold: Bronze and Stone in the Three Kingdoms Period Lauren Glover, PhD Candidate, The University of Wisconsin-Madison Fulbright Junior Researcher During the Three Kingdoms period (300-668AD), various regions in South Korea were divided into several kingdoms, each with their own unique decorative style, but also involved in heavy trade with each other, China, and Japan. This time period is extremely important because within it classical aspects of Korean culture were established that influenced later social, political and ideological developments, such as the use of bronze for rituals. Bronze and stone ornaments, especially in the form of jade, were important items to the elites of these kingdoms and were used for both displays of wealth and legitimacy, and for the ideological rituals required to maintain control in both the physical and spiritual world. Elites continued to use bronze and stone even when more economical, practical and prestigious options were available such as gold, iron and glass. This suggests that the materials themselves had significance to Three Kingdoms period people which could not be fully divorced from mundane issues. I am especially interested in tracing the manufacture and use of gokuk 곡옥(curved beads) during this period since they were used specifically by elites in unique displays of wealth, power, and ideology. My research objective is to use a combination of new and traditional analysis to learn the “biography” of an artifact from raw material to final deposition. I utilize an XRF (X-Ray fluorescence) scanner on both bronze and stone to determine a rough composition of the artifact. The compositions are used both in lead isotope analysis and in determining the origin of the stone artifacts. An extremely new method of lead isotope analysis called EDTA (Ethylenediaminetetraacetic Acid) solution analysis is also being utilized. All other methods of lead isotope analysis require harming the artifact so using this method has allowed me to analyze artifacts which would otherwise not be examined. The results of the lead isotope analysis will be compared to lead isotope ratios across East Asia to determine where the copper in the bronzes was coming from. I use silicon impression material to take impressions of the holes in the ornaments (usually beads). Those impressions will eventually be scanned with an SEM (scanning electron microscope) to determine what type of drill was used and if there is any wear on the inside of the hole. Until then, I use a digital microscope, a scanner, and my own measurements of the beads to look for patterns in manufacturing methods and style in the hopes of identifying specific groups of people or workshops that were dealing with creating these ornaments. I also hope to use the data from this project to replicate artifacts in the future in order to learn more about the manufacturing process.

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Fulbright Forum - April 10, 2014 - Lauren Glover

All that Glitters is Not Gold: Bronze and Stone in the Three Kingdoms Period Lauren Glover, PhD Candidate, The University of Wisconsin-Madison Fulbright Junior Researcher During the Three Kingdoms period (300-668AD), various regions in South Korea were divided into several kingdoms, each with their own unique decorative style, but also involved in heavy trade with each other, China, and Japan. This time period is extremely important because within it classical aspects of Korean culture were established that influenced later social, political and ideological developments, such as the use of bronze for rituals. Bronze and stone ornaments, especially in the form of jade, were important items to the elites of these kingdoms and were used for both displays of wealth and legitimacy, and for the ideological rituals required to maintain control in both the physical and spiritual world. Elites continued to use bronze and stone even when more economical, practical and prestigious options were available such as gold, iron and glass. This suggests that the materials themselves had significance to Three Kingdoms period people which could not be fully divorced from mundane issues. I am especially interested in tracing the manufacture and use of gokuk 곡옥(curved beads) during this period since they were used specifically by elites in unique displays of wealth, power, and ideology. My research objective is to use a combination of new and traditional analysis to learn the “biography” of an artifact from raw material to final deposition. I utilize an XRF (X-Ray fluorescence) scanner on both bronze and stone to determine a rough composition of the artifact. The compositions are used both in lead isotope analysis and in determining the origin of the stone artifacts. An extremely new method of lead isotope analysis called EDTA (Ethylenediaminetetraacetic Acid) solution analysis is also being utilized. All other methods of lead isotope analysis require harming the artifact so using this method has allowed me to analyze artifacts which would otherwise not be examined. The results of the lead isotope analysis will be compared to lead isotope ratios across East Asia to determine where the copper in the bronzes was coming from. I use silicon impression material to take impressions of the holes in the ornaments (usually beads). Those impressions will eventually be scanned with an SEM (scanning electron microscope) to determine what type of drill was used and if there is any wear on the inside of the hole. Until then, I use a digital microscope, a scanner, and my own measurements of the beads to look for patterns in manufacturing methods and style in the hopes of identifying specific groups of people or workshops that were dealing with creating these ornaments. I also hope to use the data from this project to replicate artifacts in the future in order to learn more about the manufacturing process.

[ CONTINUE READING ]

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